Interview with the founder of Anya Collections

I love connecting with up-and-coming fashion designers, hearing about how they got started.  So I was glad to hear from Rajni who is the founder of Anya Collections, a clothing line with pretty details and fabric.  Here’s a little about Rajni and her clothing line:

It’s interesting that you started working in engineering and then became interested in fashion, graduating from FIT.  What was it that pushed you to leave your previous career for fashion?

I have always been interested in art, design and fashion from my childhood days. My dad is an engineer and had his own transformer manufacturing business. So I was hooked on early into engineering and worked with my dad. After coming to NY, I worked as an electrical engineer in the city for a few years. While at it, I took a few classes on silk painting in my free time and loved it. I was looking to do a bit more creative work. NYC, being the capital of fashion in the US was a great place to explore and learn. I built up my portfolio, quit my engineering job, and applied to the Fashion Institute of Technology in NY. I graduated Magna Cum Laude with an AAS degree.

What was your inspiration for the fall collection?

I was inspired by the vibrant colors and rich culture of Southern India. I combine rich colors in gold brocades, beads and embroidery and use them on neutral fabrics- black, navy, and whites. The collection brings out a contrast in colors yet stylish.

What advice do you have for working women who want to look stylish at the office?

Combine tailored and feminine pieces with pencil skirts or pants along with a bold accessory.

Exclusive interview with Boston Fashion Week designer, Tatiana Cueva!

It’s Fashion Week here in Boston! It’s an exciting time for events around the city and runway shows at The Tent in the Back Bay.  This Sunday in The Tent is The Launch, a partnership between Boston Fashion Week and Fashion Group International of Boston, where five up-and-coming designers share collections in a runway show.  One of those designers is Tatiana Cueva, a recent graduate from the School of Fashion Design.  Check out this exclusive interview with her and a sneak preview of her collection!

How did you become a fashion designer?
I always liked fashion. Since a very young age I started thinking about the possibility of being a designer but I did not formally pursue it until after high school. I have always liked styling, clothes, mixing textures and colors.
What’s the inspiration for your clothing line?
Mexico – my roots are always a big influence.  I’m also inspired by women’s strength.  I like highlighting how in our nature we are both resilient and nurturing; I use contrasting materials to highlight this duality.
What are you most looking forward to for Boston Fashion Week?
I’m looking forward to connecting with other designers and to sharing my work with the Boston community.  It is a very exciting time for fashion in Boston!  We are already a very sophisticated city, but I think that Boston’s fashion sense continues evolving and getting more and more defined.

Interview with fashion designer for Birds from North America

Hayley is the designer and owner of Canadian clothing brand, Birds of North America.   She designs a lot of really cute dresses!  Check out the online shop and my interview with Hayley:

What was the final motivation that got you to start Birds of North America?

I had really come to the end of the line with career options that interested me!  I had originally worked in costume and realized it was not quite the dream job that I had anticipated.  After that I worked as an assistant to a woman who did high end custom-made clothing for about a year after which time I started my own business doing custom-made.  I operated that business for about two years and there was a lot I enjoyed about the work, but I found it to be more service oriented than clothing/design oriented.  Strangely, a friend of mine wanted to start a line of clothing around that time and asked me if I wanted to be involved.  I had never thought I would want to start a line of clothing, having always been more costume and vintage oriented than fashion oriented, but it seemed like a strange and wonderful adventure!  After a few months my friend sort of bailed on the project but by that time I had realized that this new kind of work fit what I was looking for perfectly, and the rest is history!  Even now, after five years, and even though it can be incredibly challenging and stressful, I still feel like this is my dream job.

It’s great that all of your clothing is produced in manufactured in Montreal.  Producing/manufacturing local isn’t always easy for a new brand.  Are you happy with this decision?  What recommendations do you have for other new brands who want to stay local?

In my case, I didn’t go into this field with the intention of producing/manufacturing local.  It has really been a function of finances and a practical long term plan that has kept Birds of North America manufactured and produced in Montreal.   Having said that, I am very happy with the direction the line has gone and I wholeheartedly embrace the “made in Canada” aspect of the line!  I am very fortunate to live in a city like Montreal that has such a rich, deep pool of skilled garment industry workers.  My advice to new brands who want to stay local is to be sure to make people aware that the brand is produced locally and make sure you are charging enough!  I really don’t believe there is a quick solution to succeeding with a new locally-produced brand.  You just have to stick it out for the first few years while people figure out that your brand is worth the additional expense that producing/buying locally requires.  I think people are slowly becoming more aware of the unacceptable conditions that many (if not most) garment workers endure in other countries and are starting to understand that a well cut, ethically made dress costs more than $50!

What should we expect in the spring 2012 collection?   What were your inspirations for it?

The Spring 2012 collection is titled “Corpus Meum.”  I often work with more intangible themes for the collections and try to capture a feeling rather than explicit inspirations in the designs.  For spring this season I have tried to capture the tenderness of the human spirit that lies under our skin and under our clothes.  The collection includes several beautiful cotton prints like classic stripes and small floral and graphic motifs.  Vintage red sets off a palette of sun-faded blues, grays and neutrals.  Classic Birds details like smart bows and contrast piping are mixed up with bone colored buttons and nautical details.  Small, thoughtful details make the styles sweet but don’t mask their purity.
I find that writing out my feelings for the new collections helps me to sort them out.  This text was the genesis of the collection for me:
My body, my body.  My fragile body.  Sometimes I worry that it’s dying.   What can I do to protect you?
Some days I feel like my entire being is an open sore – like I have no skin.  What a comfort to be swaddled in bandages.
All the things we do to try to hide our injuries.  We are the walking wounded.

Recommendations for aspiring fashion designers

Kristina is a talented fashion designer with a passion for what she does.  She works full-time as a designer for a well-known brand and runs a women and menswear line, Fischer Clothing, that she started on her own a few years ago.  She sewed up her first collection in about 2 weeks, put together a photoshoot, and went from there!  Here’s a little bit from Kristina about her line and her recommendations for aspiring fashion designers:

What was the final motivation that got you to start the line?

It really started as a personal project. I wanted to put together a collection to add to my portfolio of my “ideal clothing line.” Kind of an authentic Americana look with vintage influence and modern fabrics. I was really happy with the outcome and decided to put a lookbook together and send it out to a few stores. The response was positive and I just let it evolve over the past few years.

What keeps you inspired as you work on new collections?

I’m pretty much just obsessed with clothing. I never stop finding inspiration in music, art, design, nature, travel, etc…. I just collect bits of fabric, trims, images, etc. and when the time comes to put a season together I let all my findings tell their story. Working makes me happy, so it’s easy to get completely immersed in it.

Do you still have your full-time job?  Would you ever consider leaving that to work on Fischer full-time?  What would get you to do that?

I do. And of course, I would love to work on Fischer full time, but it’s just not there yet, and I would hate to put that much pressure on it at this point. I’m still building the brand and the line in so many ways and everything that the line makes goes right back into the company.

Any recommendations for someone else thinking of starting a line?

Take your time, keep your expectations realistic and your mind open. You need to be as flexible as a cat with a core of steel to manage all the curveballs that come from production, stores, etc.  And I can’t really stress enough the fact that it’s not really glamorous at all, or at least 99% of it isn’t. It’s really more work and expense than you could ever possibly imagine. Really.

Combining design experience with a passion for vintage

Originally from Ireland, Sandra grew up surrounded by creativity.  Her mom and grandmother were home sewers and her dad owned a menswear store.  Given her surroundings, there was no escaping design.

She went to design school, moved to NYC and got her first job working at Victoria’s Secret.  She later moved onto work at other large fashion brands like The Gap and Hanes.  Working for the big brands had its pros and cons.  They guaranteed a steady income and benefits, but creativity was a challenge when her sketches filtered through so many people within the companies.

So after 10 years in the industry, Sandra was ready to move on to places where she could be more creative.  She applied for positions at high-end brands, but her resume wasn’t good enough.  And other jobs she was qualified for, she wasn’t interested in.  So, as Sandra told me “If you can’t find the job you want, why not make the job you want?”

Combining her design experience with her passion for vintage fashion, Sandra started her own clothing line, Recollection.  All she knew when starting the line was how to design.  She knew how to source fabrics from her previous jobs, but couldn’t work with them because they only dealt with large quantities.  Organizing a photoshoot?  She didn’t know how to do that, but she figured it out by talking to people, looking around online at what other designers were doing, and being patient with trial and error.

When I asked Sandra if she has any recommendations for other people who want to start a clothing line, she said “As much time and effort and money you think you’re going to need, double that at the very least. Feel like you’re ready for it.  It’s a very personal thing to do.  Stay true to yourself and your POV.  When you’re your own person, you rely on your opinion. Other people who haven’t worked as hard are offering up their POV.  Keep your integrity. Be authentic in what you do.”

If you’re also a new designer and want to connect with Sandra to share advice, she’s open to it.  You can reach her at: sandra@sandra-murphy.com

Thanks Sandra for the great interview – I’m looking forward to your future collections!